front cover of Exit Zero
Exit Zero
Family and Class in Postindustrial Chicago
Christine J. Walley
University of Chicago Press, 2012
Winner of CLR James Book Prize from the Working Class Studies Association and 2nd Place for the Victor Turner Prize in Ethnographic Writing. 

In 1980, Christine J. Walley’s world was turned upside down when the steel mill in Southeast Chicago where her father worked abruptly closed. In the ensuing years, ninety thousand other area residents would also lose their jobs in the mills—just one example of the vast scale of deindustrialization occurring across the United States. The disruption of this event propelled Walley into a career as a cultural anthropologist, and now, in Exit Zero, she brings her anthropological perspective home, examining the fate of her family and that of blue-collar America at large.
 
Interweaving personal narratives and family photos with a nuanced assessment of the social impacts of deindustrialization, Exit Zero is one part memoir and one part ethnography— providing a much-needed female and familial perspective on cultures of labor and their decline. Through vivid accounts of her family’s struggles and her own upward mobility, Walley reveals the social landscapes of America’s industrial fallout, navigating complex tensions among class, labor, economy, and environment. Unsatisfied with the notion that her family’s turmoil was inevitable in the ever-forward progress of the United States, she provides a fresh and important counternarrative that gives a new voice to the many Americans whose distress resulting from deindustrialization has too often been ignored.

This book is part of a project that also includes a documentary film.
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front cover of Genital Cutting and Transnational Sisterhood
Genital Cutting and Transnational Sisterhood
DISPUTING U.S. POLEMICS
Edited by Stanlie M. James and Claire C. Robertson
University of Illinois Press, 2002
Genital Cutting and Transnational Sisterhood is a much-needed response to the ethnocentric and arrogant Western perceptions surrounding female genital cutting (FGC), often referred to as either female genital mutilation or female circumcision, but including a variety of practices of varying history, severity, geographical distribution, and consequences.
 
In five provocative essays, the contributors to this timely volume challenge representations of FGC through a range of perspectives: history, human rights, law, missionary feminism, cultural relativism, anthropology, and the intersex movement. Balancing feminist ideals with culturally conscious approaches, they dispel sensationalized and widely accepted concepts that influence Western media, law, and feminist thought on FGC, including the ignorance and oversimplification of African history, cultures, and religions, and an exaggeration of the extent and geographical distribution of the various procedures performed. The assumption that FGC does not occur presently in the United States is also considered. From Alice Walker and Pratibha Parmar's documentary film Warrior Marks to mainstream media and prime time television, Genital Cutting and Transnational Sisterhood critiques the sources that perpetuate the harmful myths that all African women have been mutilated and promote doing so to their children, that those who perform it are barbaric, and that families who allow it are abusive.
 
With sensitivity and clarity, the contributors to Genital Cutting and Transnational Sisterhood provide necessary and alternative suggestions for the eradication of the most harmful procedures--which they feel can only occur when the leadership of African women in the ongoing campaigns is acknowledged and supported, and when income generation for African women and education of the U.S. public, rather than criminalization, become primary strategies.
 
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